Form submitted successfully, thank you.

Error submitting form, please try again.

Ariel Photographer bio picture

Por qué he consagrado mi vida a la fotografía ?

La vida me ha enseñado, que lo unico permanente, es el cambio. Cada momento es único e irrepetible, la fotografía me permite inmortalizar los momentos perfectos y poder compartirlos. A través de una foto, las personas se pueden transportar a escenarios mágicos, que a veces solo existen el la percepción del fotografo.

Me gusta inspirar a la gente con mis imagenes. i Procuro que mis fotografias provoquen emociones, estremezcan, despierten !

La fotografia tambien me ayuda a recordar lo efimera que es la vida y me motiva a vivir con mas intensidad cada día.

Circulo de fuego y belleza.

https://www.facebook.com/pages/Decorari

Titulo: CIRCULO DE FUEGO Y BELLEZA
FORMATO VERTICAL
51 cm x 63 cm con Marco

Circulo de fuego y belleza

Belleza y fuego nadando juntos.

IMPRESION SOBRE PAPEL METALICO
FONDO MDF CON MARCO DE MADERA BLANCO Y VIDRIO ANTIREFLEJANTE
Precio: $1,990 pesos

Pieza de arte.

Curriculum

“No existe UNA manera de conocer a Alguien.”  Visita mi perfil en linkedin para mas referencias profesionales.

http://mx.linkedin.com/in/arielcampos

My work is my pleasure.

By 2000 I was studying scriptwriting in CCC @ The National Arts Center. I met producers Jesus- Chucho Magaña, Edgar San Juan (Norteado) and started shooting indiSuper Hi8 and I just felt the flame back in. DIGITAL Image-making. A Revolution. Change your perception.

That fall I was working @ Mexicana de Aviacion, writing travel destination guides. I travel along Baja California and fall in love with the emptiness and clarity  of the air. Surreal sunsets, an unexplored  territory alongside an exclusive resort destination. In June 2002 I moved to La Paz, BCS. In January of 2003 I started my first video production company in Cabo San Lucas as event videographer working with AvidXpress and shooting with a Panasonic AGDVX.

That first summer running around Todos Santos, La Paz and Los Cabos, meeting new people every day and securing locations was a form to get deep involved with people, with no cel phones, no internet; Being location manager for ABC “What Happens in Cabo” Reality show was a trip into Los Cabos community, restaurants and bars and key contacts. Next summer Warner Bros. Movie “Troy” doing extras coordination at the orders of the Military advisor, Sgt. Brian Bosley . I remember working with 2000 local extras, mexican and american, plus another 1000 Bulgars. Walking from section to section in this army of changing uniforms and nationalities. Every day organize groups and translate at 100F in the desert sands north of Cabo San Lucas. I was not shooting, but looking how this camera crews worked was the best learning I could have. By end of the year Diana Young,Thom Tyson my wife and I had founded CaboProductions Production Services.

3 years. Scout and Photo-assistant for photographers, Stewart Shinning, Mathias Olson, Tom Munro, Noe Dewitt.
Shooting Katherine McPhee at the Twin dolphins before tearing it down. Jennifer Finnigan, Rebbeca Romjin at the One and Only, Jennifer Aniston at Las Ventanas and Brooke Burke in a remote location. Finding the location, traveling around and

As Location Scout I started taking pictures again, landscapes and resorts Esperanza, O&O Palmilla and Las Ventanas. I improve my videographer and editor skills shooting wrap up videos for the DMC travel industry and had deliver to corporations and their working ethics.
Wedding photography was main main source of creativity, story telling, and craft needless to say I have to improve my personable skills, resources and fast working.

I started doing HDRI and Panoramic photography in 2006, while studying the possibilities of digital photography edit in video editing Softwares.  
I am looking forward to show us new perspectives of reality.

It is now over 7 years working with Hotels and Tourist industry in Los Cabos and looking forward to expand my photography to new destinations.

The Origen

I start learning the art of photography at age 10th with a Kodak 110 plastic, compact camera. My parents did not like the photographs of the cloth hanging while drying, or the close up of pencils but loved  the family portraits, although my mother still got an issue when I took them from behind or very close to lips and ears.

My father worked as an Architect in a charming town, Tequisquiapan QRO, in central Mexico, it is a weekend destination for  Mexico City residents.  I went to Mexico City for my education. Every Sunday night my Mom drove 250 km to take my sister and I back to Mexico City and every Friday we drove back to spend the weekend with my father.

I grew up between contrasts.  The town and the city. The open fields & wilderness and traffic & buildings. Hours looking trough the glass of the back of the 72′ VW beetle, staring the Sunday night sky. Friday’s afternoon catching glimpses of signs in the road. Looking to a changing landscape, always different, always the same.

Photography was my way of holding on the details, images that moved me were always changing.

My first SRL camera was at my 15th birthday. In grad school, after showing my work to the principal he opened the Photography workshop for students and I started learning the Dark Room. By the end of High School I took my first formal academic instruction in the Escuela Activa de Fotografia in Mexico City, 4 years with the best photographers in Mexico.

During 1996 economic recession it was unavailable to buy a dark room and start my professional career. I continue studying a bachelor degree in Political Science but I missed the sense of finished art in one single shot; the Illusion of freezing time that photography captures.  I felt hungry and empty.